WHEN DUTY, DESIRE, AND LANDSCAPE BEGIN TO ARGUE
PRIDE KIỀU HẠNH
A reimagining of Pride and Prejudice set in Vietnam in 1938. A love story caught between family economy, colonial modernity, and the right to choose.
HANOI / NAM DINH / 1938
1 AUSTEN ORIGINS, 2 VIETNAMESE SETTING, 3 FAMILY PRESSURE, 4 MODERN AUDIENCE.
The pitch, cut like a reel.
No brochure blocks. No form fields. Just the argument of the film, arranged as scenes, evidence, and decisions.
View full reel01
Synopsis
Austen after empire
Pride and Prejudice becomes a Vietnamese family argument: money, language, class, land, and romantic self-knowledge.
02
World
Vietnam in 1938
French-influenced interiors, northern courtyards, river heat, modernising cities, and families negotiating reputation as survival.
03
Visual proof
Scenes before the deck
The pitch carries moving-image evidence: dialogue, camera motion, style transfer, texture, and scene coverage.
04
Package
Cast, partners, opportunity
Candidate cast, Early Risers, Galaxy Play, and a market thesis sit in one guided pitch surface.
Why this, why now.
Vietnamese cinema and regional streaming audiences are expanding rapidly. Pride Kiều Hạnh positions a globally understood romantic classic inside a specific Asian period world with contemporary audience reach.
Austen
A known emotional machine, made culturally specific.
1938
A Vietnam period world built for image, class, silence, and heat.
10 pieces
Moving tests and scene frames for performance, style, motion, and coverage.
Galaxy Play
Strategic platform and audience conversation.
Early Risers
Production entity and package home.